Sense and Sensibility

Sense and Sensibility
© 1811 Jane Austen
409 pages

Sense and Sensibility is the story of two sisters, Marianne and Elinor,  who are left to live on a fixed income after their father perished and the law forced him to leave all of his money to their stepbrother – with the promise that said stepbrother would support the sisters. Unfortunately for the ladies, said stepbrother has  all the moral backbone  of a worm, and his “support” – after taking over their home – was the promise to send fish or game when they were in season.      The sisters and their mother, made to feel like outsiders in their own home, take up residence in the country for a long spell of talking, playing music,  talking, dancing, painting, talking, walking,  and worrying.   Far from their old home they find new friends, each with their own promise and limitations – and this being an Austen novel, romance is in the air.  Both Marianne and Elinor have beaus who prove or seem inconstant, but the two women respond to their social anxiety in very different ways.  Marianne is a leaf from the Romantic  era,  full of intense passion, surging hither and yon like tides crashing on a beach;  Elinor is more reserved, more pragmatic. She feels quite intensely, but she is the image of the expression that still waters run deep –  the picture of self-government, It is she, not her mother or sister, who truly manages the house, and who cares for her sister then things go off the deep end.  Another opposing pair are Edward Ferrars and John Willoughby; one is rooted in honor, the other in self-love.

 Sense and Sensibility defeated me the first time I attempted to read it (one year ago), in part because I only tried it because of its Classic status. The story didn’t interest me, but – having recently watched the film for my Read of England celebration --  I approached the novel this time with genuine appreciation and interest in the story, particularly my appreciation for several of the characters. One of the best moments of the novel is when Elinor expresses admiration for a fellow whose behavior seems to deny her happiness. As much as it pains her, she can look beyond it and see its virtue. Otherwise,  Marianne and her beaus steal the show completely, I think, as Book-Ferrars is largely absent and appears only to stand awkwardly in a corner, mumbling his apologies before he wanders off again.

Incidentally, this experience tested a theory of a friend of mine. He claims that if a person watches the movie first, then reads the book, he will enjoy them both; if he reads the movie, and then watches the movie, he will only complain about how much the movie left out or added.

1995 trailer, with actors such as Alan Rickman and Kate Winslet. Hugh Laurie also appears.

Adieu to you, and you and you and you --

As 2015 was ending I finished up a couple of works which merit mentioning. Firstly is Jane Austen’s Emma.  I have read Austen before (Pride and Prejudice), intrigued by mention of Darcy as a model gentleman,  Emma was thus my second foray into the author’s works, though I did not enjoy it nearly as much.  The plot is familiar to most:  Emma Woodhouse is a witty,  self-assured, and quite attractive woman so enormously satisfied with her life that she seeks to manage others. She attempts to pair a few of her single neighbors up, disaster ensues, much chatter follows, and eventually everyone winds up married off – including her. There were quite a few utterly brilliant lines in here – a favorite, following a haughty woman’s “discovery” that Mr. Knightly was a gentleman, noted that he was unlikely to ‘discover’ her to be a Lady, given her manners.  This was only a first reading, I think, given Emma’s reputation as Austen’s “perfect” novel. Perhaps I missed something in the end-year weariness.

Closer to my usual fare was Stagecoach: Wells-Fargo and the American West.  As the title indicates, it is primarily a history of Wells-Fargo’s rise to fame in the 19th century. It was an unusual company, doing its best to fill a vacuum of infrastructure and service in the  still-being-settled west.   Principally, the firm provided banking and express services. Its commercial network provided both communication and transportation, at a dearer rate than the Postal routes but far more efficiently. It became most famous for the mail and treasure that traveled on stagecoach lines, and one chapter sheds a little light on the workings of stages in particular. After nearly dropping the ball on the transition to railroads, Wells-Fargo rebounded and became such a productive company that it drew the attention of trust-busters, who found the collusion of banking and railroads worrisome. The bank that exists today has only a tangential connection to the former behemoth of California, but retains the imagery of a stage coach -- which proved a useful brand image even in the late 19th century, reminding prospective customers of how the west was won.

2016 is off to an excellent start so far, with How I Killed Pluto already read and reviewed, and another fantastic book following that.  Right now I'm nibbling at a couple of books, but I'm really looking forward to what January holds. Today I chanced upon a list of books I scribbled down next year, and I must say...I forget about some of the most interesting books.

Oh! I'm presently watching The Last Kingdom, a BBC miniseries based on my favorite bit of Bernard Cornwell, the Saxon Stories series.  So far it doesn't stack up too well against Vikings, but the latter is...brutal.

Danish tourists inquiring about the time. 

VIKINGS!

This week at the library: the cosmos, Jane Austen, zombies, and the Middle Way

-- Minireviews -- 

Some zombies like to lurch about groaning for brains. Some zombies like to ride the escalators, listen to Frank Sinatra, and daydream about their past life. That's R,  a zombie who has forgotten most of his life, even most of his name.  R is of the mobile damned shambling around a ruined Earth, living in a hive of the undead in an abandoned airport. He sometimes goes into the remains of civilization to find someone to nibble on. Brains are especially fun, because eating them allows the diner to experience the memories of the dined-upon. It adds a bit of color to the zombies' dreary, grey not-lives. But when one young man dies saving his girlfriend's life and R munches down on his memories of growing up with her, R unexpectedly develops a crush -- and instead of turning her into a second course, he totes her home and hides her from his moribund brethren.  Such is the beginning of Warm Bodies, a novel of the living and the damned, and the bridge between them.  I checked it out not because I like zombies, but because a friend of mine -- a mature, knows-how-to-manage-her-time-well friend -- stayed up all night reading it. While the premise intrigued me, the humor and earnestness of a zombie yearning for more, even love, snookered me completely. I read it in one sitting, as it's the kind of novel that doesn't let you go away: it continues to rise in intensity until the very end.

                                                             

With Warm Bodies out of the way, you know now that the title does not refer to my reading Pride and Prejudice and Zombies again. My Jane Austen reference was to The Jane Austen Book Club, a novel  which covers the stories of five women and one man who get together once a month and discuss a given Jane Austen novel, each taking it in turn to host. As a guy who has read Pride and Prejudice, I thought it might be fun to see another fellow go through it. His responses aren't all that remarkable. I hate to admit it, but this is the rare instance wherein a book doesn't compare favorably to its movie  Admittedly, I saw the movie before reading the book, and in fact read the book after finding out it was the source for a money I thought hilarious. (The Austen-reading man is developed far better in the movie: he's a riot: I screamed in laughter at the faces of the women as he, an SF buff, tried to compare the plot of an Austen title with the development relationship of Luke and Leia through the original Star Wars trilogy.  Great movie, all-right book: I might have enjoyed it better had I actually read more than one Austen novel. It made me feel guilty, actually..

I also read Buddhism without Beliefs by Stephen Batchelor, which wasn't as ferociously compelling as I thought it might be, possibly because I've taken Buddhism's extrareligious applicability for granted for a few years now.  Batchelor treats Buddhism as a practice in response to certain realities, and invites readers on meditations to cultivate a sense of compassion within them. Batchelor's philosophical explanations sometimes seemed like vague esoterica (the chapter on emptiness, for instance), others were eye-opening, like the section on no-self. He compared us to clay spinning on a wheel:  the thing that emerges is the result of a lot of actions acting in concert: the constituency of the clay, the pressure, the wheel; there is no ideal Pot that will suddenly materialize there. The same is true for us: there is no ideal Self floating around inside us, or out in the ether: we as beings are being constantly created by drives internal and external.

And on a final note, a book I need to re-read because it's been a few months since I finished it:  The Universe Within reveals the profound connectivity of the universe, exploring the ways our biology has been shaped by astrophysics and geology. But it's not actually about us: his account demonstrates how all of nature is bound together in cycles -- water evaporating into the air, then returning as rain; sea crust being formed at ridges, and dissolved again in volcanic explosions --  and how no field of science can exist without connection to another. A rock can tell you about physics, chemistry, and biology.  Had the book been about the interconnectedness of the sciences, it would have been a triumph. It's supposed to be about how these processes have shaped human beings, though, and the human connection is added in only tangentially at the end.

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Today I also received two books through interlibrary loan: Michael Pollan's The Botany of Desire, which examines human-plant coevolution, and Garbage Land by Elizabeth Royte.  I'm looking forward to both:  Pollan is a weird author in that I'll finish his books regarding them too problematic to recommend, and yet I never stop thinking about them. Neither The Omnivore's Dilemma nor In Defense of Food are never far from my mind.

Look for more food books as the spring matures!