The Age of Napoleon

The Age of Napoleon
© 2004 Alistair Horne
218 pages

Napoleon Bonaparte cast a long shadow over history, considering the relative slightness of his origins. Who would expect a boy from a conquered island to rise to the height of power and command one of the greatest empires in history, and leave a legacy even grander?  Alistair Horne's contribution to the Modern Library Chronicles series discusses that legacy in part, although it is a mere sample of what one might say about the Emperor. Horne himself has written larger, more exhaustive works on the same subject, but this series consists of compact introductions. Horne's account focuses on life in the empire away from the war,  treating military affairs in general as background material only to be referenced occasionally.  A story told in eleven short chapters (including an epilogue), Horne  discusses Napoleon's rise to power, his ambitious vision for both France and Europe (unified and modern),  how society responded to him both at home and abroad, the corrupting effects of hubris as his influence grew, and eventually his downfall.  Other books on the Modern Library Chronicles series have succeeded in meaningful summaries of broad subjects by focusing on a few key points, like Karen Armstrong's treatment of ummah (political-spiritual community) in Islam. Horne's reach is more broad, and not quite as potent.  Even so, I don't know if the emphasis on society and culture in the Napoleon era is one covered by many other books, which would tend to focus more on politics and military games.  On the whole, The Age of Napoleon is a short but  enjoyable read, its ideal audience being lay persons who are faintly curious about Napoleon but who have little interest in reading about military maneuvers.

Related:
"Paris", from The City in Mind by James Howard Kunstler, in which Napoleon's architectural legacy is discussed more thoroughly.

Cinderella Ate My Daughter

Cinderella Ate My Daughter: Dispatches from the Front Lines of the New Girlie-Girl Culture
© 2012 Peggy Orenstein
260 pages

When did every little girl become a princess to be bedecked in pink and fawned over? Such is the question posed by Peggy Orenstein, author of numerous books on issues of motherhood and raising women. The answer is at least twofold. First, advertising toward girls in general has emphasized coy, yet overt sexuality, even to the very young: and secondly, in the early 1990s, the Disney Corporation realized there was a lot of money to be had in developing a line of princess goods.  But this isn't really a book on advertising: Orenstein is more concerned about what the princess culture is doing to the minds of girls. The substance of the book is an examination of  how girls view themselves and each other in society.

 What makes a princess special? There's no answer. A princess is special just because. She exists solely to be an object of attention: her specialness is not the result of her accomplishments, her skills, her talents, her character, or anything substantial.Therein lies the problem with the princess culture, for it influences girls to aspire to be objects of appreciation. Their sense of self-worth is an external fair, subject not to what girls feel themselves capable of, but how girls feel others respond to them. If they are not regarded as Special, they feel worthless. Distracted by the quest for attention, they don't bother with the kind of self-growth that would merit attention, or  be fulfilling on its own. Substance is placed by superficiality. This is particularly troublesome in the case of sexuality: in Orenstein's words, girls learn to aspire to be desired before they have desire (of that kind) on their own. Orenstein sees this as a problem for girlhood in general, because the princess culture has utterly hijacked what it means to be a girl. If a helmet isn't pink, it isn't a girl's helmet. If a mother scorns all the fluff, her inadvertent lesson to her daughter is that it's not okay to be a girl.  This being the problem, her solution -- in addition to reversing Reagan's deregulation of children's advertising -- is for parents to focus on teaching girls how to live for themselves, and not for the approval of others; to define themselves and not try to fit Disney's definition of a girl.

Orenstein is a fun author, especially as she covers beauty pageants for four-year-olds and facebook, using phrases like "Sesame street walker".She's also one who has to practice what she preaches, for her own daughter Daisy is one of the afflicted: the account conveys her desperate frustration in trying to raise Daisy to be a strong person in an environment swamped by odious messages in the advertising. It shares themes with Consuming Kids and So Sexy, So Soon and covers similar ground. What So Sexy, So Soon referred to as "age compression", Orenstein calls "KGOY", Kids Getting Older Younger. This refers to the way kids are attracted to objects advertised to older children, hence kiddie thongs and Barbie in the toddler aisle.  Of obvious interest to the parents and guardians of young women, and quite readable. 

Books in the News

Every so often I see news articles which touch on subjects I've been reading about; I used to link to them in weekly review posts from time to time, but I may start doing it in this format.

For Consuming Kids:

Advertising offers struggling schools a lifeline (USA Today)

Financially struggling schools nationwide are increasing the volume of advertising that children see in the halls, at football games and even on their report cards.
School administrators say that with a public unwilling to adequately fund K-12 education, they’re obligated to find new ways to keep teachers in classrooms.
“We know that we can’t continue to only look at ways to cut, we also need to be innovative about the assets we have and learn how to bring in more revenue,” says Trinette Marquis, a spokeswoman for the 28,000-student Twin Rivers Unified School District in McClellan, Calif.

For Asphalt Nation  and Suburban Nation:
States eye new motorist taxes: miles you drive could cost you (USA Today)

States are looking for new ways of taxing motorists as they seek to pay for highway and bridge repair and improvements without relying on the per-gallon gasoline tax widely viewed as all but obsolete.
Among the leading ideas: Taxing drivers for how many miles they travel rather than how much gasoline they buy. Minnesota and Oregon already are testing technology to keep track of mileage. Other states, including Washington and Nevada, are preparing similar projects.
The efforts are being prompted by the fact that gasoline taxes no longer provide enough money to pay for roads and bridges — especially when Congress and many state legislatures are reluctant to increase taxes imposed on each gallon. The federal tax of 18.4 cents a gallon hasn't been raised in nearly two decades.

For The Shallows
Some caution texting is ruining art of conversation, Martha Irvine

Statistics from the Pew Internet & American Life Project show that, these days, many people with cell phones prefer texting over a phone call. It's not always young people, though the data indicate that the younger you are, the more likely you are to prefer texting.And that's creating a communication divide, of sorts - the talkers vs. the texters.Some would argue that it's no big deal. What difference should it make how we communicate, as long as we do so?But many experts say the most successful communicators will, of course, have the ability to do both, talk or text, and know the most appropriate times to use those skills. And they fear that more of us are losing our ability to have - or at least are avoiding - the traditional face-to-face conversations that are vital in the workplace and personal relationships."It is an art that's becoming as valuable as good writing," says Janet Sternberg, a professor of communication and media studies at Fordham University in New York who is also a linguist.

So Sexy So Soon

So Sexy So Soon:  the New Sexualized Childhood and What Parents Can Do to Protect Their Kids
© 2008 Diane E. Levine, Jean Kilbourne
226 pages

For me, the filthiest show on television is Toddlers and Tiaras. Perhaps I'm old-fashioned: I'm generally repulsed by the stereotypical idea of 'sexiness' in western culture -- provocative clothes, made-up faces, and posed behavior. What attracts me to a woman is more an internal matter: I like character, strength, and self-respect. Perhaps I dislike the idea of sexiness because it's only about sex, missing the real substance of human relationships altogether. In any case, as objectionable as I find sexiness in general, to see children attempting to invoke it is outright horrifying. Although parents and guardians tend to be protective of their children and have always worried about the declining morality of the younger generation, since time began, surely today's problems are extreme enough to not be dismissed as the simple historical pessimism of the old.  We live in a world in which Victoria's Secret markets g-strings to little girls, where the toys are hookers, and top 40 stations play songs like "I'm Sexy and I Know It". This is a far cry from Aristotle kvetching about rebellious teenagers.  So Sexy So Soon is similar to Consuming Kids in that it examines the effects of advertising upon children. However, it is much more narrowly focused (on premature sexualization) and written with a greater emphasis on helping parents address the problem, primarily through communication.

The authors are not prudes: they acknowledge from the start that human beings are sexual creatures from the moment of our births. There is nothing the matter with sex or children being curious about the differences between men and women: has any generation of tykes not wondered where babies come from, or played the equivalent of "doctor"? The essential point of So Sexy so Soon is that advertisers are using sex to sell products. They're not interested in educating children about sex, let alone guiding them towards sexual responsibility. Their only concern is manipulating children into thinking sexy is a concept they should be concerned about, and to realize it they must buy these products or listen to this music or wear this makeup. So what if kids grow up with warped attitudes toward sex, gender roles, and their own self-worth?  So what if little  children, in the process of trying to emulate adults, start talking about oral sex and grinding against one another?  Sex sells -- even to kids.

Levine and Kilbourne both write with an eye toward helping parents. While moderating the home environment is crucial, they stress communication. At least one of the authors specializes in parent-child communication, and she advocates asking open-ended questions to find out what kids know, and letting them know that if they're confused about the barrage of messages they receive through television, music, and the Internet, that they can express that confusion with an adult without being judged. Children are the victims of premature sexuality, not its creators. Political action is also necessary: marketers and companies must take responsibility, because the tide of garbage they produce in their quest to maximize profits is overwhelming parents, setting their children against them. That tide has been building since the 1980s, when Ronald Reagan  deregulated child-targeted advertising. The same agency which allowed the problem to transpire should be held accountable for fixing it.

So Sexy So Soon is of eminent interest to parents; both it and Consuming Kids are eye-opening works that detail the problems of childhood advertising. I would read them together.

Consuming Kids

Consuming Kids: the Hostile Takeover of Childhood
© 2004 Susan Linn
288 pages

To some, children are the joy of our lives; a refreshing source of curiosity, energy, youth, and joy. To others, they are nothing but grist for the mill. In Consuming Kids, child psychologist Susan Linn reveals the scope and consequences of the increasing commercialization of childhood, which effects more than just parents. It is a profoundly disturbing book; were I a parent its revelations would horrify me. But it demands to be read.

Consuming Kids opens at a conference in which children are the focus -- or rather, the target, because this is a marketing conference, where the latest psychological insights into the minds of children are put to good use. "Teenagers are socially anxious; build on that." These marketeers are family scientists as well: they cite a study about the importance of the Nag Factor, wherein the 'pester power' of children is tapped to manipulate parents into taking the kids to a given restaurant or frequenting a particular store. (That same study featured in Eric Schlosser's Fast Food Nation, and provoked my interest in this subject.) Linn is a psychologist by profession: she cares for children and is sickened by the way that studies done with good intentions -- to understand children's motivations -- are being perverted to use by companies which essentially profit by targeting vulnerabilities, like the aforementioned anxiety of teenagers or the fact that children cannot tell the difference between an advertisement and a factual program, let alone think critically about the content of said ads.

Linn devotes the bulk of the book to examining the consequences of child-targeting advertising: the promotion of consumerism among children, the idea that things will make them happy; the sinister way that they are conditioned to favor certain brands through cartoon figures and "role model" spokespersons like Ronald McDonald;  the rise of childhood obesity amid the expansion of advertising of candy and processed food to kids;  the use of violence and sex to capture attention; the rise of childhood addiction to alcohol and tobacco,  and the corruption of the public sphere, from PBS to the schoolroom. (The latter section makes this  work of interest to everyone, not just parents.)

I've read other works with a bone to pick with advertising of one kind or another, but I rarely enjoy them and never review them because prior reads have been so sloppily done; they consist mainly of one person idly complaining for paragraph after paragraph. This is certainly not the case with Linn, who tempers her passion with professionalism and focus. Her introduction immediately shares her sense of unease with the reader, and then she develops her many substantial criticisms. Hers is a convincing argument, not a rant, and it ends with impressive sections evaluating what our response should be. After examining advertising's relationship to free speech, she then points out that this is a particularly nonpartisan issue. It doesn't fit neatly into a party box: this kind of marketing has negative consequences for everyone save the firms targeting the kiddies. She then ends with a chapter detailing what we can do at home, in the community, in schools, in the marketplace, and as members of polities both large (the nation) and small (the city).

Consuming Kids is a magnificent piece of work; I would only fault it for being slightly dated with regards to references to advertising through the Internet and social media; most of Linn's concern is advertising through television and the schools. Otherwise, she's golden, offering a comprehensive criticism that is both passionate and moderate in tone. Highly recommended to parents and anyone concerned about the welfare of children and society.

Related:

Fast Food Nation, Eric Schlosser

Seven Ages of Paris

Seven Ages of Paris
© 2002, 2004 Alistair Horne
458 pages

An entire city, built with pomp, seems to have arisen miraculously from an old ditch. - Corneille, Le Menteur, 1643

Paris is one of the most celebrated cities in the world, and predominates the heart of France to a degree unrivaled by other capitals. There is no 'second city' which can rival it. Occupied since Roman times, Paris has survived centuries filled with war, plague, famine, and boundless prosperity -- and Seven Ages of Paris is its irrepressible history, which entices the reader but which does not quite live up to its potential.

Last year I read Horne's La Belle France and loved it despite the author's old-fashioned "great men" approach to history. He uses the same style here, though it is more forgivable considering the sharp focus on Paris and the fact that the city's fates were tied to the ambitions, hubris, and failings of various kings for most of its history. Following a brief introduction ("From Caesar to Abélard),  Horne tells the story of Paris in seven acts: Philippe August, Henri IV, Louis XIV, Napoleon, the Commune, the Treaty of Versailles, and de Gaulle. The table of contents reveals France's history as an absolute monarchy which briefly and nobly struggled to institute a parliamentary democracy before reverting to a more traditional presidential strongman. Horne does not follow France into the Fifth Republic, coming to  a close after the deaths of de Gaulle and Edith Piaf.

Although I'd expected the history of France through the eyes of Paris, Horne's focus pushes the background of French history to the periphery. Readers who dive in without knowing much about French history may flounder, as Horne connects his chapters on building programs and local culture with a colorful but threadbare narrative. While this is justifiable in some cases, I believe a history of Paris will attract a more varied readership (tourists, for instance) than students of French history. I suspect the shallow background is the result of Horne writing for a European audience which would be better versed in its history than other readers: the same is true of his giddy use of French phrases, which are is often integral to the text and not just included for a little flavor. I've studied Spanish and German, not French, and so had to break my reading experience while I looked up his reference -- this was somewhat bothersome.

Although Seven Ages of Paris flows as smoothly as Horne's other work,   it added virtually nothing to what I'd already learned from La Belle France, and even repeated that work -- sentence for sentence -- in some sections, most noticeably when he covers the Commune. It's a fair work and I enjoyed reading it, but I'm unable to drum up any enthusiasm for promoting it.

La Belle France

La Belle France: a Short History
© 2005 Alistair Horne
485 pages

I have rarely enjoyed any book as much as La Belle France, a quick sprint through French history that begins in the Roman era. Initially focusing on a small town named Paris on an island in the middle of the Seine, Horne moves swiftly through hundreds of years of kings, riots, and wars to end in the early 1990s with the election of Jacques Chiraq.  Horne is obviously affectionate toward his subject, at the beginning musings on his native England and France's conjoined destinies. I've not encountered a general survey of French history since my freshman days, and this thoroughly delighted me. Horne's narrative is a genuine story, one that grows increasingly detailed as he approaches the modern era. Horne is ever-present, and frequently employs anecdotes about France during his periods of visiting it. His voice betrays a slight bias toward strong leaders and orderly reform, wringing his hands regarding mass action like revolutions, prolonged strikes, and student protests. This bias doesn't show up until the book hits the 19th century. His focus is also only on France proper: Canada, Algeria, and France's problems in Vietnam get scant attention.

Horne covers  thousands of years in only a little over four hundred pages, moving quickly through the centuries. From time to time he pauses to reflect on France's course, making the book an efficient read for someone who needs a "big picture" approach. I checked this book out for such an approach, thinking it would help me during what was intended to be a French-themed week (the week of 14 June). It still informed my reading of Citizens, Horne's general story allowing me to bring Schama's many details into focus. Overall I think the book a solid hit: easily one of the most readable and entertaining general histories I've yet read.  I want to read more of the author, and was particularly interested in his book on the Commune of Paris until I saw in here that he focused chiefly on its bloodshed. The Seven Ages of Paris will probably be my next Horne read.