Thursday, April 29, 2010

The Last Juror

The Last Juror
© 2004 John Grisham
355 pages


As [Padgitt] was about to step out of the witness box and return to the defense table, he suddenly turned to the jury and said something that stunned the courtroom. His face wrinkled into pure hatred, and he jabbed his right index finger into the air. "You convict me," he said, "and I'll get every damned one of you."
"Baliff!" Judge Loopus said as he grabbed for his gravel. "That's enough, Mr. Padgitt."
"Every damned one of you!" Danny repeated, louder. 

If you forced me to choose a favorite John Grisham work, I could manage to choose The Last Juror with some conviction. Not whole conviction, mind you, for I'm prone to picking up  my well-thumbed copy of The Rainmaker and reading a chapter at random. The two works, probably not coincidently both written in the first person, constantly jockey in my mind for first place. Like many of Grisham's works, The Last Juror's background plot takes place within the realm of law, as a small Mississippi town is shaken by the rape and murder of a young woman in full view of her children. The prime suspect is Danny Padgitt, a young member of the Padgitt crime family, a secretive and close-knit clan of bootleggers, car thieves, and drug dealers who operate from a small island formed by a near-circular bend in the Mississippi river. Unlike Grisham's other works, the main character is only a spectator to the trial. His name is Willie Traynor, and he's a 23-year old lapsed university student who has acquired the bankrupt local paper through a rich aunt. Traynor is interested in turning the weekly newspaper into a goldmine, and the shocking trial provides an instant boon in his first few months as owner and publisher.

The Last Juror is  notable for its setting and scope: while other Grisham works take place within the span of a few months, The Last Juror spans an entire decade -- and that decade happens to be the 1970s, the era of Vietnam, Nixon, and Civil Rights.  While the dramatic murder trial's lasting effect on the town provides the overall plot, the substance in between its appearances makes the book special for me, for Grisham  explores the development of a small town in this tumultous period from the perspective of an outsider (Traynor is from Memphis, which makes him a 'northerner' in his readers' eyes). Grisham uses the timeframe to comment on the culture and history of the rural south from the viewpoint of a local newspaper: religion, politics, funerals, football culture, the response to segregation,the  rise of big box stores, and the like all receive Traynor's curious attention and amused, concerned, or affectionate commentary. The book is in a way a loving tribute (and a mild roasting) to Grisham's childhood background. This is the book that made me curious about the effects of chain stores on local economies, for instance. A ten-year span also provides plenty of time for character development, as Traynor ages and becomes part of the town's fabric of interesting characters. The town is, by the way, Clanton -- a favorite setting of Grisham's, set in his often-visited and fictional Ford County. Characters from other books (Harry Rex Vonner and Lucien Wilbanks from A Time to Kill, most notably) appear, sometimes extensively and sometimes only as part of the background.

The Last Juror for me is the most interesting of Grisham's works for its novelty: none of his other works are like this. As much as I like The Rainmaker, it is at its essence only a legal thriller like much of his other works. The Last Juror is commentary on ten years of the history and culture of a small southern town, breaking from Grisham's typical formula and an easy reccommendation to those who are familar with Grisham's legal thrillers but who have tired of them, or who have never really experienced his works.

The Private Life of Plants

The Private Life of Plants
© 1995 David Attenborough
320 pages


I spend a little time every week contemplating my home library's eviscerated science section, hoping against hope to find some interesting volume amid the remains. Last week, picking through the rubble led me to Sir David Attenborough's excellent The Private Life of Plants, a book in the same style as his numerous nature documentaries (The Lives of Mammals, Planet Earth, and others).  Separate chapters discuss transportation, feeding and growth, flowering, the social struggle, the relationships plants have with one another and various animals, and surviving. In each section, Attenborough  documents the extraordinary details of plant's every-day lives. The narrative is replete with pictures -- no page is without one, and some pages are dominated by full-page   or even centerfold spreads.  The content is ever fascinating and sometimes bizarre. I learned, for instance, that there is a species of jellyfish that house algae inside their transparent bodies: they spend the day near the surface of the ocean allowing the algae to grow, and then partially digest the growth without destroying the algae. In effect, they have garden inside their bodies. If you find this book, by all means take a look at it. It's bound to be one of the more interesting books on the natural world you've yet seen.


This is part of a series of books by Attenborough, which you can expect I'll be visiting further.They appear to have been converted from film documentaries.


One of the book's many fascinating pictures. That husk houses a seed.

Wednesday, April 28, 2010

This Week at the Library (28/4)

This week at the library...

I began with Young Hornblower, a collection of three Hornblower novels set during Horatio Hornblower's early career. C.S. Forester's novels are fast-paced naval adventures with plenty of variety, often including political intrigue and shore-side missions. I'll be continuing in the series.

I re-read John Grisham's The Brethren accidentally, having picked it up with no intention of reading it through wholly. Brethren is one of Grisham's extra-legal works, involving plenty of politics when an extortion racket run by three imprisoned judges nets the CIA's hand-picked presidential candidate.

I next read a Star Wars novel, Tatooine Ghost, set early in the extended universe -- early enough that Thrawn is a simple ship commander assigned to procure an object from a Tatooine auction. This object, a rare surviving artifact from Alderaan that contains a chip with the New Republic's communications protocol, cannot be allowed to fall into the hands of the Empire. Leia Organa and Han Solo labor to prevent the painting from being captured while at the same time Organa struggles with her father's legacy.

Although academic concerns have kept me too busy to offer full comments on it yet, I also read Sir David Attenborough's The Private Lives of Plants, an excellent documentary-in-a-book that I expect to share in full tomorrow.

Pick of the Week: The Private Lives of Plants.

Quotation of the Week: "I must remind you of one salutary regulation of the navy, to the effect that no junior officer can challenge his superior to a duel. The reasons for it are obvious -- otherwise promotion would be too easy." p. 31, Young Hornblower.


Upcoming Reads:

  • I'm trying to read Republic Commando: Hard Contact by Karen Traviss because of my affection for the game that inspired it. We'll see what becomes of that.
  • Commodore Hornblower by C.S. Forester. I'd like to continue reading about young Hornblower, but I wanted to see what becomes of the good captain's relationship with a certain noblewoman.
  • The Iron Heel, by Jack London. I've read The Call of the Wild, and London's one of those authors on my "Read More From" list. From appearances, it's an alternative history novel that for London would have been set in the future and which depicts drastic political changes in the US.
  • The Art of Happiness in a Troubled World by Tenzin Gyatso, since I enjoyed the original book so much. 
  • Annnnnd Iron Coffins, which I started last summer but never finished. I'm writing a paper on German submarine strategy and thought I might use it as a primary source, it being the memoirs of a WW2 U-boat captain.  Whether I do or do not, it was shaping up to be interesting.




 

Tuesday, April 27, 2010

Teaser Tuesday (27-4)

Oh, shame! I've been too occupied with being bedridden and working on papers to actually read this past week*, but here's a teaser from one of my favorite books.

"Did they really try to burn down the paper?"
"Yes, they did," I said, wondering if I'd heard this black lady in rural Mississippi just say that her first language was Italian.


(p. 66, The Last Juror by John Grisham)

*I have book comments forthcoming, but academics have been rather demanding. Still, the worst will be over by Thursday night.

Tuesday, April 20, 2010

Tatooine Ghost

Tatooine Ghost 
© 2003 Troy Denning
416 pages


Tatooine Ghost is set early in the expanded universe, focusing on Leia and Han in their first year of marriage. Mon Montha of the New Republic has sent the newlyweds to Tatooine, where a unique painting – the lone survivor of an Alderaanean art form known as ‘moss painting’ – has surfaced in an auction. While Leia – who saw the painting every day in her childhood home – places great sentimental value in the artifact, buried within it is the key to the New Republic’s communications protocol concerning military and intelligence operations. Leia must prevent the painting from falling into the hands of the Empire while simultaneously confronting her father’s presence on Tatooine.

    Tying into events of The Phantom Menace, Attack of the Clones, and Revenge of the Sith*Tatooine Ghost sees Leia and Han infiltrate the auction under heavy disguise. The book would be short indeed if Leia was able to obtain the painting merely by bidding for it, and in no time at all grenades are thrown and our happy couple – along with Chewbacca, Threepio, Artoo, and a few minor characters from the original trilogy who knew Leia’s father as a little boy on Tatooine – are forced to chase the painting across the sands of Tatooine in a manner reminiscent of the Empire’s attempt to recover its Death Star plans in A New Hope. As Leia begins to experience her father’s past – to talk with his friends, to visit his home and familiar haunts – she is forced to come to terms with the legacy of her father, particularly in light of the fact that she is beginning to experience the Force which he served and which corrupted him. 

I lost interest in the main plot early on, being more interested in Leia’s reckoning. Portends of the extended universe’s history abound: the imperial officer heading the Imperial search for the painting just ‘happens’ to have red eyes set against blue skin. Although I thought the search for the painting was a bit derivative of A New Hope, I enjoyed the book overall given the emphasis on Leia’s character growth.



*The book was published in 2003, yet references events (Shmi's abduction and torture at the hands of Sand People, Anakin's retaliation and graveside confession)  that only took place in a movie not released until 2005. I'm not sure how that happened.

The Brethren

The Brethren
© John Grisham 2000
384 pag




               From within the confines of a minimum security prison, three convicted judges spin a web of deceit and extortion across the nation. Relying on a corrupt lawyer with addictions to shuttle mail and handle the money, these three men – termed ‘the Brethren’ --  seek out closeted gay men via classified ads in alternative magazines. Posing as young gay men themselves to earn the marks’ trust, the judges then threaten to expose their victims to their wives if they  do not pay upwards of $100,000. These closeted men have no recourse but to pay, for explaining the circumstances of their extortion means revealing parts of themselves they've kept in hiding. The Brethren have little to lose from their scheme, but financial security following their eventual release from prison to gain – and so they write their letters and prey on their victims, watching their bank accounts grow and contemplating future lives of leisure.

    They might have continued to spin their webs for years, but they chanced to ensnare a young politician named Aaron Lake, favored by the CIA to be the next president of the United States. Lake isn’t just favored by the CIA: he was hand-picked by the Director, who has subsequently funded and helped manage Lake’s bid for the office. Fearing the potential rise of a Russian strongman, the Director wants a man willing to double funding for the US military to ward off potential threats – and he does not take kindly to the idea of three felons preying on his man. The Brethren have no idea that the CIA is involved, and their scheme may either result in the biggest payoff ever – or three occupied slabs in the penitentiary morgue.

    I read this first years ago, and have read it a couple of times since then. I picked it up over the weekend intending to read a little at lunch, but found it too interesting to put down. The novel is set during the 2000 presidential election – an obvious Dubya stand-in is mentioned as Lake’s potential running mate, and his ‘liberal’ opponent in November is the sitting vice president. Brethren, like The Broker, is a thriller with its roots in the legal system but which involves global politics:  his CIA director appears in several other books. This is a breezy read with an interesting start, although the story fades to conclusion rather than coming to an satisfying end.

Teaser Tuesday (20/4)

"Verily, verily, I say unto you...not only for reading was Tuesday made, but for teasing also. (Jesus, Tweet from the Mount)

"Leia, he was just a boy. Did you think he came out of the womb wearing a breather and black helmet?" 

- p. 138, Tatooine Ghost


From Should be Reading, as ever.