Kill Decision

Kill Decision

© 2012 Daniel Suarez

512 pages

Seemingly every day people within the United States are killed,  destroyed in apparent bomb attacks.  The victims have no obvious connections, but they are not random – nor were they bomb victims.  A new generation of cheap, lethal drones are waging an undeclared war on American soil, and no one knows who is behind them.    Enter Linda McKinney, a  young American scientist,  whose study of weaver ants in Africa was interrupted when she was kidnapped, shortly before her cabin was incinerated.    McKinney hasn’t been abducted by terrorists, however:  she is the last hope of a black ops organization hunting for the drones’ controllers.  The few leads they have indicate that the same people who stole software allowing for the drones’ facial recognition software also copied McKinney’s research into swarm intelligence.   

Kill Decision is a horse of a different color from Suarez’ other works: although still a mix of technothriller and science fiction,   there’s far less speculation here than in Change Agent and Freedom. Frankly,   the plot of Kill Decision seems like the sort of thing that could happen this afternoon.  I’ll admit to not being up to date on the latest drone technology, but given the current status of facial recognition technology,   machine intelligence, and the price of consumer electronics....the premise of Kill Decision is speculative only in the “What if this did happen” sense, and not the “What if this could happen” sense.      The novel follows the un-named group investigating the drone attacks as their efforts to get to the root of the problem only increase in the planned-for campaign being ramped up,  leading to  a prolonged action sequence where the chasee- and chaser swap places several times, with brief interludes between the bloody chaos.  

Although drones aren’t a particular interest of mine, Kill Decision succeeded in keeping my attention, in part because the drones’ behavior strongly mimics that of...weaver ants, complete with using chemical compounds for swarm communication.  The drones of Kill Decision have total autonomy behind their prescribed targets,  evaluating and taking care of unexpected threats on the fly. The drones combine the innate horror of swarm insects with the cold dread of being hunted most effectively,  especially when the team encounters the base of operations.  

Although I hadn't intended to read Suarez' remaining works, both of are beyond the near-future subgenre I most prefer,  having read so much of him recently has me itching to give one of them a try, if only to experience more of the author!

Related:
Drone, Mike Maden

Change Agent

Change Agent
© 2017 Daniel Suarez
417 pages

Deep into the 21st century,   global civilization has been transformed by bioengineering.  Consumer products  which were once manufactured are now grown, from knives to car bodies; the streets are illuminated not by bulbs, but by bacteria;  and lab-grown meat is common.  Although gene editing has also been used to cure several prominent diseases in human babies,   parents are increasingly interested in going beyond repair:  they want to make their children into  designer augments, with heightened intelligence, physical strength, and so on. Enter Kenneth Durand, who uses statistical analysis to figure out where "baby labs" are so that the police can shut them down.   But the many labs shut down by Durand's ingenuity aren't independent operations: they're all run by the same criminal enterprise, and they - -the Huli jing --  will  have their revenge in a most insidious way. A violent encounter at a train station leaves Durand writhing on the platform, and he wakes up weeks later -- after a prolonged period of intense pain and semi-consciousness -- to find himself transformed. His own genes have been edited to make him into the monster he was chasing.  Friendless and the subject of an international manhunt, a once pacifistic statistician  must find new strength within himself as he escapes police custody and descends into the underworld looking for answers and a way to reclaim his identity.

 First of all, there's a lot of really cool things going on in the background here.  Logistical drone lanes, for one: there are so many commercial drones that they've been given air lanes to travel in, just like airplanes.    Screen interfaces are largely a thing of the past;  as most people have the means to have images cast directly into their eyes. (This can be a nuisance, with the advertisements, but there are countermeasures.)  All this advanced technology makes Durand's life considerably more difficult after he's branded a criminal;  one push notification from the police and a crowdsourced manhunt makes it impossible for him to move in civilized society.   He does, however, have one asset:  the criminal whose body he's inhabiting happens to be incredibly intimidating, and since he wasn't expected to survive the transformation (the gang wanted the police to think their most-wanted man had  been assassinated) , there have been no countermeasures put in place to stop Durand from taking advantage of his appearance.  Once  the Huli jing realize he's escaped and on the move, another product of bioengineering is tasked with hunting him down.

Using CRISPR and succeeding technology opens up a world of possibilities, and Suarez explores both the good and bad. Durand's journey will culminate in discovering horrors he couldn't imagine people capable of,  though if he'd read Brave New World he wouldn't be so darkly surprised.   Both the worldbuilding, and Durand's struggle to hold on to his identity -- trapped in another body, forced into doing things he'd never otherwise do --  succeed in creating a fast-moving and immersive tale of tomorrow.

Freedom™

Freedom™
©  2010 Daniel Suarez
416 pages

The global economy is crashing, nearing its end, but few are willing to recognize it. The sinking markets, soaring inflation and unemployment, and civil chaos are regarded by those in power as merely another hiccup, one which can be weathered out with enough money thrown at the problem. But away from the old centers of power, inside server rooms and sewer tunnels, a new order is being created -- one driven by the vision of a legendary AI programmer, now deceased, whose death triggered the activation of a distributed AI intelligence which -- in the events of Daemon -- began spreading and recruiting human agents to effect its will.   In the midst of a global depression, many are dropping out of the old economy and tuning into another: the darknet economy of the Daemon,   But the one cannot tolerate the other,  and in Freedom™,   we witness their final grapple.

Both Daemon and Freedom™ are all kinds of interesting; the former, for its technical premise; the latter, for its sociological premise.  The Daemon has evolved from the first novel,  though I don't want to go into many details for fear of spoiling anything.  Suffice it to say....the cold, ominous voice in the head no longer stars here, but rather what it and its human recruits have created does.  The distributed intelligence of the Daemon is becoming a distributive economy and democracy,  one counter to the globalized commercial order.  The imprint of the Daemon's creator, Sobol is still very strong, as agents are ranked by classes and levels and given quests to fulfill;   those who succeed gain levels and access to additional technological abilities made possible by the augmented reality that Daemon agents live in. However, the members of this new society also guide its goals, and the quest of a main character is to prove that humanity merits freedom rather than total control by the Daemon.

Any adult will recognize the imprint of the 2008 recession on this book, from the anxiety and fear over the economic future to the outrage over abuses of corporate power. Anti-corporatism pervades this book, in part because their greed and corruption has created the global crisis-- not just the inflation and such, but  increasing fragility of people and nations, depending on as they do delicate ribbons of trade and a steady stream of raw materials mined without a thought to the future.  The corporate powers also  target the darknet counter-economy, fighting against it through means both subtle and obvious. As with Daemon, I truly didn't know where the novel was going to end until we'd arrived.  What's most fascinating about Freedom, though, is Suarez' implied argument about the inherent fragility of global society and the need for social structures which are more resilient.

Daniel Suarez is so effective a writer that after I finished this, I started reading Daemon again -- just to experience the chilling birth of the series once more.  I've gotta see if Suarez's craft is so strong when he's not basing his story on his experience as a network engineer and D&D dungeonmaster, and so I have purchased his Kill Decision and Change Agent, tech thrillers about autonomous drones and biotech respectively.

Related:
Triangulation interview with Suarez about his book "Change Agent"; extensive interview which goes into the writing of Daemon and Freedom.

Daemon

 Daemon
© 2006 Daniel Suarez
444 pages

SO YOU SAY YOU WANT A REVOLUTION

YES NO

When a incomparable programming genius known for his immersive games and uncanny AI dies, his greatest creation awakes.  A sophisticated program running in the background begins putting into action a plan that will remain unknown to the reader throughout most of the novel, hidden except for when its actions result in death or global panic.  So begins a technological thriller, featuring a faceless enemy which grows more daunting by the moment as it steadily increases its power, imposing a new technological order over a world that has grown too complex for its own good. The world is to be reprogrammed, and resistance is futile.

The kernel of Daemon's story is that a doomed genius (Matthew Sobol) once courted by the NSA created a program which scanned the news for announcement of his death, and then began a hostile takeover of anything powered by silicon chips. Effecting the deaths of opponents, recruiting human agents through a video game, taking over computerized systems and using their resources for its own expansion, it lurks in the background  except for when it issues press releases to manipulate public reaction. The Daemon's greatest strength is that it is a distributed program, a global botnet;  it has no master server to destroy, no switch which can be thrown. The Daemon is autonomous, persistent, and pervasive. When it sends instructions to its human agents through wireless headsets, it concentrates its demands for action into YES/NO prompts. While Sobol presumably could have created an AI that can parse spoken sentences, the nature of this machine-human communication makes the Dameon seem like an alien intelligence, instead of a naughty instance of Alexa.

As the story progresses, readers encounter a pair of battered men who are trying to unravel the Daemon and expose it, as well as a few individuals who come agents of the Daemon.  The Daemon entices them in different ways, each according to their ambitions:  a sociopathic identity thief finds his calling in enlisting to the machine's service  as its greatest champion, the  Sauron to its Morgoth (or the Saruman to its Sauron, but without the initial resistance), and a criminal is given freedom, and a frustrated TV tabloid reporter is given the chance to become a Serious Journalist.  All they have to do is listen to the remorseless voice in their head and follow its instructions. The Daemon's ability to manipulate systems grows throughout the novel, to the point where it controls physical infrastructure producing autonomous weaponized vehicles.

I had no idea that this book was written in 2006, as the amount of now mundane electronic control within it is perfectly in sync with our own world. The only clue that this novel had a few years on it was the Daemon's inability to parse complete sentences, but as mentioned that actually helped reinforced the Daemon's other-ness.  Daemon is an unnerving thriller, one capable of unsettling the reader with the kind of world we're headed into, in which authentic freedom and privacy are as impossible as Triceratops flank steaks.  As successful a thriller as it is, Daemon also succeeds in raising questions about how politics, society, and the economy will be transformed by ubiquitous networking;  although it only offers a glimpse into early disruption,  one can't help but think that the present state of affairs will be as alien in a century as early 19th century agrarian society is to our own.

Sidenote:  Sobol was known for a World War 2 shooter and a game in which one opens the gates of hell. Sounds kiiiiiiiiiinda like Wolfenstein 3D and Doom.  Considering that Sobol's company was named CyberStorm, I wonder if he was inspired by John Romero -- cocreator of the two programs mentioned above, and founder of a company called Ion Storm. (See Masters of Doom).